Friday, 23 April, 17:45
The act of filming is an exercise of freedom. What happens when it encounters a political or social order maintained by force? How do filmmakers confront constraints that might impede the development of their cinematic language?
Yeon Park, for Homegoing
Andrea Schramm, for 27 Steps
Fabrice Aragno, for Parenthèse
Agustina Wetzel, for Outside the Coverage Area
Nikita Yefimov, for Strict Regime
Weijia Ma, My Quarantine Bear