Wednesday, 21 April 13:30
As a ceaselessly ploughed furrow, documentary portraits look for faces and bodies, captured in interaction with an environment. The filmmakers who practice this art want to record the truth they perceive behind appearances of the Other within the precise, temporary and always precarious framework of the relationship between the filmmaker and the filmed.
Hosted by Bert Rebhandl, film critic
Andrés Guerberoff, for Borom Taxi
Helga Rakel Rafnsdóttir, for Spare Parts
Anton Bialas, for Groupe Merle Noir
Alejandro Alonso, for Abyssal
Isabel Vaca, for Becoming