Friday, 23 April at 14:00
The documentary gesture sometimes moves away from the codes, takes freedoms with the sacrosanct reality, or on the contrary, brings it back into play, if it has only been glimpsed in the perpetual flow of information. How do we speculate with the real, whether we are filming the invisible, distorting archives, making a futuristic fable or going back in time?
Isabelle Prim, for Condition d'élévation
Jan Ijäs, for Belgrade Forest Incident…and What Happened to Mr. K?
Gerard Ortín Castellvi, for Future Foods
León Siminiani, for Stillness Syndrome
Martin Putz, for Wind