Hamed Alizadeh
France, Afghanistan, 29 min

Policemen housed in makeshift huts inspect vehicles entering the centre of Kabul. Recruited in different parts of the country to maintain security in the capital, they do not really know why they are there. Hamed Alizadeh records on film the absurd quality of the daily lives of these men, who think they are involved in building the future of Afghanistan.

The Dehbori checkpoint, in the centre of Kabul. Fifteen policemen housed in makeshift huts work shifts round the clock to inspect vehicles without number plates entering the city. A singular duty which sometimes gives rise to misunderstandings: one of them tells how he unwittingly stopped the car of a governor… Coming from backward areas of the country, the policemen in Check Point do not have a clear idea of why they are there, why the bread they fetch once a week from the police station is stale, or why there are frequent power cuts. To cope with the boredom, fear of a suicide attack, and absence of women, they sometimes request a popular song on television, danced by women wearing a veil, under the gaze of Commander Massoud, the only icon in their tiny barracks. Hamed Alizadeh minutely chronicles the absurd daily existence of these men, who think they are taking part in the future of Afghanistan, if only in listening to birdsong amid the noise of the traffic, or watching ants crawl around on the waste land where they are stationed.

Emmanuel Chicon

Translation BMP Translations

Duration
29 min
Year
2011
Country
France, Afghanistan
Section
Compétition Internationale Courts Métrages
Language
Persian
Subtitle
French
Production
Ateliers VaranStéphane Jourdain
Sales Contact
Juliette Duboiscontact@ateliersvaran.com+331 43566404

Compétition Internationale Courts Métrages

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