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Yu-hsin SU
2021, Taiwan, Japan, 23 min
Mori investigates the confluence of ecologies with place-based affectivities in Yamaguchi Prefecture, Japan. The title of the three chapters, “守(to protect)”、“森(forest)”、“杜(spirit)” are different in shapes and meaning, yet all pronounced as “Mori” in Japanese.Karst cave, groundwater, the soils, villager, burning mountain ritual, scientist, Buyō dancer, majestic oak and forests, the work questions the ways of contemplating nature through rituals and folklores, and how landscapes have been historically constructed. Conceptualizing Dan Graham’s installation “Two-way Mirror Triangular Pavilion with Shoji Screen '' as a diffractive model of the work, Mori sees landscape as a process and inner mechanism, which is defined by our detached vision and interpreted by our bodymind. It is a panorama which continuously changes as we move along any route.
Runtime
23 min
Year
2021
Countries
Taiwan, Japan
Languages
Miscellaneous, English
Yusuke FujisawaAkiyoshidai International Art VillageZixuan HUANGNational Culture and Arts FoundationYu-hsin SU
Categories
Another runtime available: 27min.23sec
Festival Screenings
- Online screening, United Kingdom, 2021, CFCCA Film Club
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Yu-hsin SUagnesyuhsinsu@gmail.com+4917625315221