{"id":26995,"date":"2021-02-17T11:10:20","date_gmt":"2021-02-17T10:10:20","guid":{"rendered":"https:\/\/vdr.daisybell.ch\/news\/ateliers-2021-tatiana-huezo-sanchez-pietro-marcello\/"},"modified":"2021-02-26T10:58:44","modified_gmt":"2021-02-26T09:58:44","slug":"ateliers-2021-tatiana-huezo-sanchez-pietro-marcello","status":"publish","type":"post","link":"https:\/\/www.visionsdureel.ch\/en\/ateliers-2021-tatiana-huezo-sanchez-pietro-marcello\/","title":{"rendered":"Visions du R\u00e9el\u2019s 2021 Ateliers are dedicated to Tatiana Huezo and Pietro Marcello"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-through-its-ateliers-the-52nd-edition-of-the-international-film-festival-nyon-will-celebrate-the-body-of-work-of-the-mexican-salvadoran-director-tatiana-huezo-and-the-italian-director-pietro-marcello-by-holding-two-major-retrospectives\">Through its Ateliers, the 52nd edition of the International Film Festival Nyon will celebrate the body of work of the Mexican-Salvadoran director Tatiana Huezo<a href=\"https:\/\/www.visionsdureel.ch\/en\/program\/atelier\/tatiana-huezo-sanchez\/\"> <\/a>and the Italian director Pietro Marcello<a href=\"https:\/\/www.visionsdureel.ch\/en\/program\/atelier\/pietro-marcello\/\"> <\/a>by holding two major retrospectives. <\/h2>\n\n\n\n<p>Visions du R\u00e9el will have the joy and honour of hosting <a href=\"https:\/\/www.visionsdureel.ch\/en\/program\/atelier\/tatiana-huezo-sanchez\/\">Tatiana Huezo<\/a>, a filmmaker who has had ties with the Festival for many years, and <a href=\"https:\/\/www.visionsdureel.ch\/en\/program\/atelier\/pietro-marcello\/\">Pietro Marcello<\/a>, an adventurous director with a singular body of work, as part of the Festival\u2019s 2021 Ateliers. The works of the two filmmakers, in their respective uniqueness, enable us to further demonstrate the artistic importance and diversity of the contemporary non-fiction filmmaking landscape.<\/p>\n\n\n\n<p>The wealth of their cinematographical horizons will also be the subject of two public Masterclasses, true to the tradition of the Ateliers. Pietro Marcello is invited in partnership with the <a href=\"https:\/\/www.hesge.ch\/head\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">HEAD (Geneva University of Art and Design)<\/a>.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><div id=\"tabs-block_602cdff83aaba\" class=\"tabs\">\n\t\t<ul class=\"nav nav-tabs sticky-top\" role=\"tablist\">\n\t\t\t  \t<li class=\"nav-item\" role=\"presentation\">\n\t\t\t<a \n\t\t\t   \tclass=\"nav-link h3 mb-0 active pl-0\" \n\t\t\t   \tid=\"tab_id83-1-tab\" \n\t\t\t   \tdata-toggle=\"tab\" \n\t\t\t   \thref=\"#tab_id83-1\" \n\t\t\t   \trole=\"tab\" \n\t\t\t   \taria-controls=\"tab_id83-1\" \n\t\t\t   \taria-selected=\"true\">\n\t\t\t\t\tTatiana Huezo S\u00e1nchez \t\t\t<\/a>\n\t  \t<\/li>\n\t\t\t  \t<li class=\"nav-item\" role=\"presentation\">\n\t\t\t<a \n\t\t\t   \tclass=\"nav-link h3 mb-0 \" \n\t\t\t   \tid=\"tab_id70-2-tab\" \n\t\t\t   \tdata-toggle=\"tab\" \n\t\t\t   \thref=\"#tab_id70-2\" \n\t\t\t   \trole=\"tab\" \n\t\t\t   \taria-controls=\"tab_id70-2\" \n\t\t\t   \taria-selected=\"true\">\n\t\t\t\t\tFilmography\t\t\t<\/a>\n\t  \t<\/li>\n\t\t\t<\/ul>\n\t<div class=\"tab-content\">\n\t\t\t\t<div \n\t\t\t class=\"tab-pane pt-3 fade show active\" \n\t\t\t id=\"tab_id83-1\" \n\t\t\t role=\"tabpanel\" \n\t\t\t aria-labelledby=\"tab_id83-1-tab\">\n\t\t\t\t<p>Through a body of work as committed as it is personal, Tatiana Huezo paints the portrait of her country and relentlessly denounces the mechanisms of terror, employing a poetic and sensitive cinematographical language, which succeeds, with great decency, in giving substance to absence, violence and suffering.<\/p>\n<p>Born in Salvador and living in Mexico, Tatiana Huezo graduated from the Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC) film school and holds a Master\u2019s in Documentary Filmmaking from Barcelona\u2019s Pompeu Fabra University. After her first attempts\u2014short films such as <em>Arido<\/em> (1992), <em>Familia <\/em>(2004) or <em>Sue\u00f1o<\/em> (2005)\u2014she gained international renown with her first feature-length film, <em>El lugar m\u00e1s peque\u00f1o<\/em> (2011), presented as an international premiere at Visions du R\u00e9el in 2011 where it won the Grand Prix for the Best Feature-length Film.<\/p>\n<p>Building on this success, the film was programmed by more than 80 festivals around the world. Then, following the short film <em>Ausencias<\/em> (2015), she directed <em>Tempestad <\/em>(2016), which was presented as a world premiere at the Berlinale (Forum section) where it won four Ariel awards\u2014presented by the Mexican Academy of Cinematographic Arts and Sciences.<\/p>\n<p>Over recent years, she has taught film in various international academic contexts and also written the book <em>El Viaje, rutas y caminos andados para llegar a otro planeta, <\/em>in which eight documentary filmmakers describe their creative processes. In 2021, she is unveiling her first fictional film, <em>Noche de fuego<\/em>.<\/p>\n\t\t<\/div>\n\t\t\t\t<div \n\t\t\t class=\"tab-pane pt-3 fade \" \n\t\t\t id=\"tab_id70-2\" \n\t\t\t role=\"tabpanel\" \n\t\t\t aria-labelledby=\"tab_id70-2-tab\">\n\t\t\t\t<p><em>Noche de fuego<\/em>, 2021<\/p>\n<p><em>Tempestad<\/em>, 2016<\/p>\n<p><em>El aula vac\u00eda<\/em>, (short : <em>Ver,\u00a0o\u00edr y callar<\/em>), 2015<\/p>\n<p><em>Ausencias,<\/em> 2015<\/p>\n<p><em>The Tiniest Place<\/em>, 2011<\/p>\n<p><em>Sue\u00f1o<\/em>, 2005<\/p>\n<p><em>Familia<\/em>, 2004<\/p>\n<p><em>The Core of the Earth<\/em>, 2001<\/p>\n<p><em>Tiempo ca\u00fastico<\/em>, 1997<\/p>\n<p><em>Arido<\/em>, 1992<\/p>\n\t\t<\/div>\n\t\t\t<\/div>\n\t<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div id=\"tabs-block_602ceab73aabb\" class=\"tabs\">\n\t\t<ul class=\"nav nav-tabs sticky-top\" role=\"tablist\">\n\t\t\t  \t<li class=\"nav-item\" role=\"presentation\">\n\t\t\t<a \n\t\t\t   \tclass=\"nav-link h3 mb-0 active pl-0\" \n\t\t\t   \tid=\"tab_id52-1-tab\" \n\t\t\t   \tdata-toggle=\"tab\" \n\t\t\t   \thref=\"#tab_id52-1\" \n\t\t\t   \trole=\"tab\" \n\t\t\t   \taria-controls=\"tab_id52-1\" \n\t\t\t   \taria-selected=\"true\">\n\t\t\t\t\tPietro Marcello\t\t\t<\/a>\n\t  \t<\/li>\n\t\t\t  \t<li class=\"nav-item\" role=\"presentation\">\n\t\t\t<a \n\t\t\t   \tclass=\"nav-link h3 mb-0 \" \n\t\t\t   \tid=\"tab_id9-2-tab\" \n\t\t\t   \tdata-toggle=\"tab\" \n\t\t\t   \thref=\"#tab_id9-2\" \n\t\t\t   \trole=\"tab\" \n\t\t\t   \taria-controls=\"tab_id9-2\" \n\t\t\t   \taria-selected=\"true\">\n\t\t\t\t\tFilmography\t\t\t<\/a>\n\t  \t<\/li>\n\t\t\t<\/ul>\n\t<div class=\"tab-content\">\n\t\t\t\t<div \n\t\t\t class=\"tab-pane pt-3 fade show active\" \n\t\t\t id=\"tab_id52-1\" \n\t\t\t role=\"tabpanel\" \n\t\t\t aria-labelledby=\"tab_id52-1-tab\">\n\t\t\t\t<p>As for Pietro Marcello, his work, falling within a formally audacious and sensual contemporary Italian cinematographical\u2014often non-fiction\u2014scene (Alice Rohrwacher, Michelangelo Frammartino, Roberto Minervini, etc.), is imbued with his profound interest for literature and art history, constantly reinventing cinematographical codes with humanism, romanticism and great artistic freedom.<\/p>\n<p>Pietro Marcello was born in Caserta in Campania in 1976. He began by studying painting at the Naples Academy of Fine Arts. Self-taught, he cut his teeth on \u201cparticipative videos\u201d shot in the prisons where he was teaching. From 1998 to 2003, he programmed the Cinedamm film events, at the Damm centre in the Montesanto district, of which he was one of the founding members. It was in this context that he directed his first short films <em>Carta <\/em>and<em> Scampia <\/em>(2003). In 2004, he completed <em>Il cantiere<\/em>, a documentary that won the Libero Bizzarri Prize.<\/p>\n<p>The following year, he directed <em>La Baracca.<\/em> His first feature-length film, Crossing the Line (<em>Il passaggio della linea<\/em>, 2007), won many accolades. But it was in 2009 with The Mouth of the Wolf (<em>La<\/em> <em>bocca del lupo<\/em>)<em>, <\/em>which won awards at Turin and at the Berlinale (Forum section), that he gained international recognition. In 2011, he paid tribute to Artavazd Peleshian in The Silence of Pelesjan (<em>Il silenzio di Pelesjan<\/em>), while Lost and Beautiful (<em>Bella e perduta<\/em>, 2015), in selection at Locarno and the Grand prix du Jury at La Roche-sur-Yon, brought him a wider audience. In 2019, Martin Eden<em>,<\/em> adapted from the eponymous Jack London novel, was presented at the Venice Film Festival and met with great critical acclaim.<\/p>\n<p>Moreover, the film embodies the move of Marcello&#8217;s work to fiction, while keeping a very strong link with the documentary genre. His new opus For Lucio (<em>Per Lucio)<\/em> will be presented at the 2021 Berlinale.<\/p>\n\t\t<\/div>\n\t\t\t\t<div \n\t\t\t class=\"tab-pane pt-3 fade \" \n\t\t\t id=\"tab_id9-2\" \n\t\t\t role=\"tabpanel\" \n\t\t\t aria-labelledby=\"tab_id9-2-tab\">\n\t\t\t\t<p><em>For Lucio<\/em>, expected release 2021<\/p>\n<p><em>Martin Eden<\/em>, 2019<\/p>\n<p><em>Ossessione<\/em>, 2016<\/p>\n<p><em>Lost and Beautiful<\/em>, 2015<\/p>\n<p><em>9&#215;10 Novanta<\/em>, (segment <em>L\u2019umile Italia<\/em>), 2014<\/p>\n<p><em>Venice 70<\/em>, Future Reloaded, (segment <em>Pietro Marcello<\/em>), 2013<\/p>\n<p><em>Marco Bellocchio<\/em>, Venezia, 2011<\/p>\n<p><em>The Silence of Pelesjan<\/em>, 2011<\/p>\n<p>Napoli 24, (segment <em>Rettifilo)<\/em>, 2010<\/p>\n<p><em>The Mouth of the Wolf<\/em>, 2009<\/p>\n<p><em>Crossing the Line<\/em>, 2007<\/p>\n<p><em>La baracca<\/em>, 2005<\/p>\n<p><em>Il cantiere<\/em>, 2004<\/p>\n<p><em>Scampia<\/em>, 2003<\/p>\n<p><em>Carta<\/em>, 2003<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n\t\t<\/div>\n\t\t\t<\/div>\n\t<\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Through its Ateliers, the 52nd edition of the International Film Festival Nyon will celebrate the body of work of the<\/p>\n","protected":false},"author":44,"featured_media":26971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[421],"tags":[],"class_list":["post-26995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/posts\/26995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/comments?post=26995"}],"version-history":[{"count":0,"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/posts\/26995\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/media\/26971"}],"wp:attachment":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/media?parent=26995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/categories?post=26995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/tags?post=26995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}