{"id":215354,"date":"2024-01-18T10:00:11","date_gmt":"2024-01-18T09:00:11","guid":{"rendered":"https:\/\/www.visionsdureel.ch\/?post_type=invite-dhonneur&#038;p=215354"},"modified":"2024-07-11T13:39:40","modified_gmt":"2024-07-11T11:39:40","slug":"jia-zhang-ke","status":"publish","type":"invite-dhonneur","link":"https:\/\/www.visionsdureel.ch\/en\/program\/guest-of-honour\/jia-zhang-ke\/","title":{"rendered":"Jia Zhang-Ke"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Visions du R\u00e9el is delighted to announce that the Guest of Honour for its 55th edition (12&nbsp;\u2013&nbsp;21&nbsp;April) was the exceptional Chinese filmmaker, Jia Zhang-Ke. A leading figure in independent Chinese cinema, and contemporary cinema more broadly, Jia Zhang-Ke presented a masterclass exploring his captivating and multifaceted oeuvre which examines the history of his country and the characters who inhabit it. A retrospective of his films ran throughout the edition. A tribute made possible once more thanks to the precious collaboration with the <a href=\"https:\/\/www.cinematheque.ch\/\">Cin\u00e9math\u00e8que suisse<\/a> and <a href=\"\/\">ECAL <\/a>(university of art and design in Lausanne) with the complicity of <a href=\"https:\/\/humanbrains.fondazioneprada.org\/en\/\">Fondazione Prada<\/a>.<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/vimeo.com\/960351144?share=copy\">Watch the Masterclass<\/a><\/h2>\n\n\n\n<p><a href=\"https:\/\/www.visionsdureel.ch\/programme\/invite-dhonneur\/jia-zhang-ke\/\">French version<br><\/a><a href=\"https:\/\/vimeo.com\/962099767?share=copy\">Chinese version<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"VdR2024 | Masterclass Jia Zhang-Ke (EN)\" src=\"https:\/\/player.vimeo.com\/video\/960351144?dnt=1&amp;app_id=122963\" width=\"580\" height=\"326\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Find an <a href=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/04\/240416-VDR-Journal-web.pdf\">original essay<\/a> on Jia Zhang-Ke in the Guests&#8217; Journal.<\/h3>\n\n\n\n<p><em>&#8220;Since the outbreak of Covid-19, I haven\u2019t left China for almost four years. The 55th Visions du R\u00e9el will be my first trip to Europe after these four years. I feel like embracing the world again, as excited as a child about to go on a long trip for the first time. I am heading to Nyon, for cinema that reveals the world as it really is.&#8221;<\/em> &#8211; Jia Zhang-Ke<\/p>\n\n\n\n<p>Born in 1970 in the mining region of Shanxi, bordered by the Great Wall of China, Jia Zhang-Ke is a leading light in contemporary cinema. He belongs to a generation of Chinese filmmakers who were profoundly affected by the Tiananmen Square protests. His diverse filmography, which comprises more than 20 short and feature works, borrows elements from both genre and non-fiction cinema. Switching from taught thrillers to documentaries and encompassing a myriad hybrid formats woven together by non-professional actors, fictional works on a canvas of reality, and fantasies bypassing otherwise restrained stories, Jia Zhang-Ke has spent two decades creating a filmography as coherent as it is shifting. <\/p>\n\n\n\n<p>His stylistically diverse oeuvre deploys the full range of cinematographic techniques (16 and 35mm, DV, HD, etc.). Approaching his subject as a visual artist, Jia Zhang-Ke offers a subtle and subversive immersion in Chinese society, imbued with a sublimated realism. Resisting censorship and tirelessly defending the cultural significance of his country&#8217;s cinematic output, Jia Zhang-Ke weaves long-form, epic-style stories to explore personal and multifaceted journeys that challenge the notion of dissolution of the individual within the national narrative.&nbsp;<\/p>\n\n\n\n<p>Ever willing to wrestle with the realities of China\u2019s recent history, the filmmaker offers a profoundly humanist representation that draws on memories and recollections. To achieve this, Jia Zhang-Ke creates a narrative polysemy that focuses its gaze on the everyday lives of ordinary people living in &#8220;intermediate towns&#8221; scattered between the rural life and that of the country\u2019s burgeoning&nbsp;megacities.<\/p>\n\n\n\n<p>By doing so, Jia Zhang-Ke&#8217;s films dissect the promises and mirages offered under the forced march of modernisation in effect since the 1960s. They examine the effects of this collective story, specifically the imposition of state capitalism on human beings, by providing a romantic and sensitive counter-narrative. An essential and uncompromising filmography that has often fallen foul of the government\u2019s strict censorship regime.<\/p>\n\n\n<div id=\"tabs-block_4cd9a8a4e2306aed52381fb3a94166e5\" class=\"tabs\">\n\t\t<ul class=\"nav nav-tabs sticky-top\" role=\"tablist\">\n\t\t\t  \t<li class=\"nav-item\" role=\"presentation\">\n\t\t\t<a \n\t\t\t   \tclass=\"nav-link h3 mb-0 active pl-0\" \n\t\t\t   \tid=\"tab_id69-1-tab\" \n\t\t\t   \tdata-toggle=\"tab\" \n\t\t\t   \thref=\"#tab_id69-1\" \n\t\t\t   \trole=\"tab\" \n\t\t\t   \taria-controls=\"tab_id69-1\" \n\t\t\t   \taria-selected=\"true\">\n\t\t\t\t\tBiography\t\t\t<\/a>\n\t  \t<\/li>\n\t\t\t  \t<li class=\"nav-item\" role=\"presentation\">\n\t\t\t<a \n\t\t\t   \tclass=\"nav-link h3 mb-0 \" \n\t\t\t   \tid=\"tab_id38-2-tab\" \n\t\t\t   \tdata-toggle=\"tab\" \n\t\t\t   \thref=\"#tab_id38-2\" \n\t\t\t   \trole=\"tab\" \n\t\t\t   \taria-controls=\"tab_id38-2\" \n\t\t\t   \taria-selected=\"true\">\n\t\t\t\t\tFilmography\t\t\t<\/a>\n\t  \t<\/li>\n\t\t\t<\/ul>\n\t<div class=\"tab-content\">\n\t\t\t\t<div \n\t\t\t class=\"tab-pane pt-3 fade show active\" \n\t\t\t id=\"tab_id69-1\" \n\t\t\t role=\"tabpanel\" \n\t\t\t aria-labelledby=\"tab_id69-1-tab\">\n\t\t\t\t<p>Graduating in 1997 from the Beijing Film Academy, Jia Zhang-Ke returned to his home city of Fenyang in the Shanxi province to create his first full-length feature, <em>Pickpocket<\/em>(1997). Conceived with meagre resources and without authorisation, the film cast a disillusioned eye, in a distinct documentary style \u2013 like several of his other titles \u2013 on Chinese society, landing it with a national broadcast ban. His next three works met the same fate: <em>Platform<\/em> (2000), <em>The Condition of Dogs<\/em> (2001) and <em>Unknown Pleasures<\/em> (2002). However, the latter was included in the Cannes Film Festival\u2019s Official Selection. His melodrama,<em> The World<\/em> (2004), was the first of his films to be screened in Chinese cinemas, and starred his wife, the actor Zhao Tao, who has appeared in all of his fiction films since 2000. She won numerous awards for her performances in <em>Mountains May Depart<\/em> (2015) and <em>Ash Is Purest White<\/em> (2018).<\/p>\n<p>Starting with 2006\u2019s <em>Dong<\/em>, the filmmaker then embarked on an expansion into non-fiction cinema, by adopting the viewpoint of the painter, Liu Xiaodong. He followed this up with <em>Useless <\/em>(2007), an exploration of the textile industry in China, and <em>24 City<\/em> (2008), which examines the disappearance of workers&#8217; towns and the country&#8217;s modernisation. He recounted the history of Shanghai in <em>I Wish I Knew <\/em>(2010) and gave voice to three Chinese writers on the changes taking place in their country in <em>Swimming Out Till the Sea Turns Blue<\/em> (2020).<\/p>\n<p>His work has received many accolades, including the Golden Lion at the Venice Film Festival as well as the award for Best Director at the Asian Film Awards for <em>Still Life<\/em> (2006) and the award for Best Screenplay at the Cannes Film Festival for <em>A Touch of Sin<\/em> (2013). His entire career has also been honoured at some of the world\u2019s most renowned film festivals, including Locarno, where he received the Golden Leopard in 2010, and the Directors&#8217; Fortnight at Cannes, which awarded him the Carrosse d\u2019Or in 2015.<\/p>\n<p>Alongside his work as a director, Jia Zhang-Ke also contributes to China\u2019s film production. <em>Mr. Tree<\/em> (2011), <em>Dead Pigs<\/em> (2018), <em>The Best Is Yet to Come<\/em> (2020), <em>The Calming<\/em> (2020) and <em>White Building<\/em> (2021) are among the many films he has co-produced. In 2017, he and the legendary film historian and festival director, Marco M\u00fcller, founded the Pingyao Crouching Tiger Film Festival (PYIFF), which aims to promote the work of young Chinese filmmakers.<\/p>\n<p>In April, Jia Zhang-Ke will join other leading figures in contemporary cinema previously honoured by Visions du R\u00e9el, including Lucrecia Martel, Marco Bellocchio, Claire Denis, Werner Herzog and Emmanuel Carr\u00e8re, among others.<\/p>\n<p>&nbsp;<\/p>\n\t\t<\/div>\n\t\t\t\t<div \n\t\t\t class=\"tab-pane pt-3 fade \" \n\t\t\t id=\"tab_id38-2\" \n\t\t\t role=\"tabpanel\" \n\t\t\t aria-labelledby=\"tab_id38-2-tab\">\n\t\t\t\t<p><span style=\"font-weight: 400;\">2020\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">Visit<\/span><\/i><span style=\"font-weight: 400;\"> (fiction, short film)<br \/>\n<\/span><span style=\"font-weight: 400;\">2020\u00a0 \u00a0<\/span> <i><span style=\"font-weight: 400;\">Swimming Out Till the Sea Turns Blue<br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">2019\u00a0 \u00a0<\/span> <i><span style=\"font-weight: 400;\">The Bucket<\/span><\/i><span style=\"font-weight: 400;\"> (fiction, short film)<br \/>\n<\/span><span style=\"font-weight: 400;\">2018<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">Ash Is Purest White<\/span><\/i><span style=\"font-weight: 400;\"> (fiction)<br \/>\n<\/span><span style=\"font-weight: 400;\">2017<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">The Hedonists<\/span><\/i><span style=\"font-weight: 400;\"> (fiction, short film)<br \/>\n<\/span><span style=\"font-weight: 400;\">2015<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">Mountains May Depart<\/span><\/i><span style=\"font-weight: 400;\"> (fiction)<br \/>\n<\/span><span style=\"font-weight: 400;\">2015<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">Smog Journeys<\/span><\/i><span style=\"font-weight: 400;\"> (fiction, short film)<br \/>\n<\/span><span style=\"font-weight: 400;\">2013<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">A Touch of Sin<\/span><\/i><span style=\"font-weight: 400;\"> (fiction)<br \/>\n<\/span><span style=\"font-weight: 400;\">2011\u00a0 \u00a0<\/span> <i><span style=\"font-weight: 400;\">Yulu<\/span><\/i><span style=\"font-weight: 400;\"> (collective documentary)<br \/>\n<\/span>2011 <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i>3.11 A Sense of Home<\/i> <span style=\"font-weight: 400;\">(collective documentary<\/span>)<br \/>\n2010 <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i>I Wish I Knew<br \/>\n<\/i><span style=\"font-weight: 400;\">2008<\/span> <span style=\"font-weight: 400;\">\u00a0 <\/span><i><span style=\"font-weight: 400;\">Cry Me a River <\/span><\/i><span style=\"font-weight: 400;\">(fiction, short film)<br \/>\n<\/span><span style=\"font-weight: 400;\">2008<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">24 City<\/span><\/i><span style=\"font-weight: 400;\"> (hybrid)<br \/>\n<\/span><span style=\"font-weight: 400;\">2007<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">Our Ten Years<\/span><\/i><span style=\"font-weight: 400;\"> (fiction, short film)<br \/>\n<\/span>2007\u00a0 \u00a0 <i>Useless<br \/>\n<\/i><span style=\"font-weight: 400;\">2006<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">Dong<br \/>\n<\/span><\/i>2006 <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i>Still Life<\/i> (<span style=\"font-weight: 400;\">fiction<\/span>)<br \/>\n<span style=\"font-weight: 400;\">2004\u00a0 \u00a0<\/span> <i><span style=\"font-weight: 400;\">The World<\/span><\/i><span style=\"font-weight: 400;\"> (fiction)<br \/>\n<\/span><span style=\"font-weight: 400;\">2002\u00a0 \u00a0<\/span> <i><span style=\"font-weight: 400;\">Unknown Pleasures<\/span><\/i><span style=\"font-weight: 400;\"> (fiction)<br \/>\n<\/span><span style=\"font-weight: 400;\">2001<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">In Public<\/span><\/i><span style=\"font-weight: 400;\"> (mid-length film)<br \/>\n<\/span><span style=\"font-weight: 400;\">2001<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">The Condition of Dogs<\/span><\/i><span style=\"font-weight: 400;\"> (short film)<br \/>\n<\/span><span style=\"font-weight: 400;\">2000<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">Platform<\/span><\/i><span style=\"font-weight: 400;\"> (fiction)<br \/>\n<\/span><span style=\"font-weight: 400;\">1997<\/span> <span style=\"font-weight: 400;\">\u00a0 \u00a0 <\/span><i><span style=\"font-weight: 400;\">Pickpocket<\/span><\/i><span style=\"font-weight: 400;\"> (fiction)<br \/>\n<\/span><span style=\"font-weight: 400;\">1995\u00a0 \u00a0 \u00a0<\/span><i><span style=\"font-weight: 400;\">Xiao Shan Going Home<\/span><\/i><span style=\"font-weight: 400;\"> (fiction, mid-length film)<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n\t\t<\/div>\n\t\t\t<\/div>\n\t<\/div>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"VdR2024 | Guest of Honour Jia Zhang Ke\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/qsBQTT1dXoA?feature=oembed&#038;modestbranding=1&#038;showinfo=0&#038;rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Selection 2024 <\/h2>\n\n\n      <\/div>\n    <\/div>\n    <div class=\"row mt-3 px-1 justify-content-center\">\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/platform\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"259\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473518-259x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473518-259x180.jpg 259w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473518-690x480.jpg 690w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473518-1034x720.jpg 1034w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473518-345x240.jpg 345w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473518-517x360.jpg 517w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473518.jpg 1063w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/platform\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">Platform<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/useless\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476747-240x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476747-240x180.jpg 240w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476747-640x480.jpg 640w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476747-960x720.jpg 960w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476747-320x240.jpg 320w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476747-480x360.jpg 480w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476747-1440x1080.jpg 1440w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476747-1920x1440.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/useless\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">Useless<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/still-life\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473187-320x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473187-320x180.jpg 320w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473187-854x480.jpg 854w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473187-1280x720.jpg 1280w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473187-426x240.jpg 426w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473187-640x360.jpg 640w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473187.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/still-life\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">Still Life<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/masterclass-jia-zhang-ke\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1496777-320x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"Film still of the film Masterclass Jia Zhang-Ke, directed by Visions du R\u00e9el 2024\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1496777-320x180.jpg 320w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1496777-854x480.jpg 854w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1496777-1280x720.jpg 1280w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1496777-426x240.jpg 426w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1496777-640x360.jpg 640w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1496777-1920x1080.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/masterclass-jia-zhang-ke\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">Masterclass Jia Zhang-Ke<\/span>\n\t<span class=\"font-weight-normal\"><\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/swimming-out-till-the-sea-turns-blue\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473929-320x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"Film still of the film Swimming Out Till the Sea Turns Blue, directed by Jia Zhang-Ke, Visions du R\u00e9el 2024\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473929-320x180.jpg 320w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473929-854x480.jpg 854w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473929-1280x720.jpg 1280w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473929-426x240.jpg 426w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473929-640x360.jpg 640w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473929-1920x1080.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/swimming-out-till-the-sea-turns-blue\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">Swimming Out Till the Sea Turns Blue<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/24-city\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"178\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473696-320x178.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"Film still of the film 24 City, directed by Jia Zhang-Ke, Visions du R\u00e9el 2024\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473696-320x178.jpg 320w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473696-854x475.jpg 854w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473696-1280x711.jpg 1280w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473696-426x237.jpg 426w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473696-640x356.jpg 640w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473696-1920x1067.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/24-city\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">24 City<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/pickpocket\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"270\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473920-270x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"Film still of the film Pickpocket, directed by Jia Zhang-Ke, Visions du R\u00e9el 2024\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473920-270x180.jpg 270w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473920-719x480.jpg 719w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473920-1079x720.jpg 1079w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473920-360x240.jpg 360w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473920-540x360.jpg 540w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473920-1619x1080.jpg 1619w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473920.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/pickpocket\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">Pickpocket<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/ash-is-purest-white\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"270\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1464218-270x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1464218-270x180.jpg 270w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1464218-720x480.jpg 720w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1464218-1080x720.jpg 1080w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1464218-360x240.jpg 360w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1464218-540x360.jpg 540w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1464218-1620x1080.jpg 1620w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/ash-is-purest-white\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">Ash Is Purest White<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/dong\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"270\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473527-270x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473527-270x180.jpg 270w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473527-720x480.jpg 720w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473527-1080x720.jpg 1080w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473527-360x240.jpg 360w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473527-540x360.jpg 540w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473527-1620x1080.jpg 1620w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473527.jpg 1800w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/dong\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">Dong<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/a-touch-of-sin\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"270\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476769-270x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"Film still of the film A Touch of Sin, directed by Jia Zhang-Ke, Visions du R\u00e9el 2024\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476769-270x180.jpg 270w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476769-720x480.jpg 720w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476769-1080x720.jpg 1080w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476769-360x240.jpg 360w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476769-540x360.jpg 540w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476769-1620x1080.jpg 1620w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/a-touch-of-sin\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">A Touch of Sin<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/i-wish-i-knew\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"180\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473899-320x180.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473899-320x180.jpg 320w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473899-854x480.jpg 854w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473899-1280x720.jpg 1280w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473899-426x240.jpg 426w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473899-640x360.jpg 640w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1473899-1920x1078.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/i-wish-i-knew\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">I Wish I Knew<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/the-condition-of-dogs\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"164\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476758-320x164.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"Film still of the film The Condition of Dogs, directed by Jia Zhang-Ke, Visions du R\u00e9el 2024\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476758-320x164.jpg 320w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476758-854x438.jpg 854w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476758-1280x657.jpg 1280w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476758-426x219.jpg 426w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476758-640x328.jpg 640w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476758-1920x985.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/the-condition-of-dogs\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">The Condition of Dogs<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n          <div class=\"col-6 col-md-4 col-xl-3 film_thumb px-1\">\n        <a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/in-public\/\" class=\"thumbnail-16-9 \">\n\t\t<img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"163\" src=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476775-320x163.jpg\" class=\"attachment-thumbnail size-thumbnail wp-post-image\" alt=\"Film still of the film In Public, directed by Jia Zhang-Ke, Visions du R\u00e9el 2024\" sizes=\"auto, (max-width: 575px) 100vw, (max-width: 991px) calc((100vw - 6.5rem) \/ 3), (-webkit-min-device-pixel-ratio: 1.5) calc((100vw - 7.5rem) \/ 4 \/ 1.5), calc((100vw - 7.5rem) \/ 4)\" srcset=\"https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476775-320x163.jpg 320w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476775-854x436.jpg 854w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476775-1280x654.jpg 1280w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476775-426x218.jpg 426w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476775-640x327.jpg 640w, https:\/\/www.visionsdureel.ch\/wp-content\/uploads\/2024\/03\/1476775-1920x981.jpg 1920w\" \/>\t    \n    <\/a>\t\t\n<a href=\"https:\/\/www.visionsdureel.ch\/en\/film\/2024\/in-public\/\" class=\"link-reverse film-caption \">\n\t<span class=\"film_title\">In Public<\/span>\n\t<span class=\"font-weight-normal\">Jia&nbsp;Zhang-Ke<\/span>\n<\/a>\n\n      <\/div>\n      <\/div>\n      <div class=\"row mt-4\">\n      <div class=\"col-12 col-sm-10 col-md-9 col-lg-7 col-xl-6 mx-auto\">\n          ","protected":false},"excerpt":{"rendered":"<p>(Re)discover the Masterclass given by Jia Zhang-Ke, Guest of Honour at the last edition of the Festival. <\/p>\n","protected":false},"featured_media":241150,"menu_order":0,"template":"","meta":{"_acf_changed":true},"class_list":["post-215354","invite-dhonneur","type-invite-dhonneur","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/invite-dhonneur\/215354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/invite-dhonneur"}],"about":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/types\/invite-dhonneur"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/media\/241150"}],"wp:attachment":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/media?parent=215354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}