{"id":27177,"date":"2011-03-01T10:16:00","date_gmt":"2011-03-01T09:16:00","guid":{"rendered":"https:\/\/vdr.daisybell.ch\/?p=27177"},"modified":"2022-02-09T15:35:57","modified_gmt":"2022-02-09T14:35:57","slug":"projets-2011","status":"publish","type":"industry","link":"https:\/\/www.visionsdureel.ch\/en\/vdr-industry\/projets-2011\/","title":{"rendered":"Projets 2011"},"content":{"rendered":"\n<div id=\"c2296\" class=\"frame frame-default frame-type-gridelements_pi1 frame-layout-0\"><h2 class=\"\"> Pitching du R\u00e9el 2011 \u2013 pitched projects <\/h2><\/div> <div class=\"row\"><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2295\" class=\"font-size-sm\"><p><strong>A Film for Paul Celan<\/strong><br>by Gideon Koppel<br>United Kingdom<br>Van Film Ltd, Gideon Koppel <\/p><p><strong>Andermatt<\/strong><br>by Leonidas Bieri<br>Switzerland<br>Condor Pictures, Heikko B\u00f6hm &#038; Patrick M\u00fcller <\/p><p><strong>Buzkashi!<\/strong><br>by Najeeb Mirza<br>Canada<br>Buzkashi Productions Inc., Jacques M\u00e9nard<\/p><div><p><strong>Iraqi Odyssey<\/strong><br>by Samir<br>Switzerland<br>Dschoint Ventschr Filmproduktion, Werner Swiss Schweizer<\/p><\/div><\/div> <\/div><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2294\" class=\"font-size-sm\"><p><strong>Lillian &#8211; The Woman Who Walked to Russia<\/strong><br>by Andreas Horvath<br>Austria<br>Navigator Film, Johannes Rosenberger <\/p><p><strong>Mohamed, Carte Postale N\u00b0106<\/strong><br>by Bruno Ulmer<br>France<br>Nord Ouest Documentaires, Sylvie Randonneix <\/p><p><strong>On the Border<\/strong><br>by Andreas M\u00f8l Dalsgaard<br>Denmark<br>Cosmo Film Doc, Henrik Veileborg <\/p><p><strong>Privado<\/strong><br>by Walter Tiepelmann<br>Argentina<br>996 films, Mario Durrieu<\/p><\/div> <\/div><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2302\" class=\"font-size-sm\"><p><strong>Shomrei Hasaf<\/strong><br>by Dror Moreh<br>Israel<br>Dror Moreh \/ Cinephill, Philippa Kowarsky <\/p><p><strong>Shooting Kossakovky in Patagonia<\/strong><br>by Carlos Klein<br>Chile<br>KleinFilms, Carlos Klein <\/p><p><strong>The Guantanamo Trap<\/strong><br>by Thomas Wallner<br>Germany<br>zero one film GmbH, Thomas Kufus <\/p><p><strong>Un Automne en Allemagne<\/strong><br>by Jean Gabriel P\u00e9riot<br>France<br>Local Films, Nicolas Brevi\u00e8re<\/p><\/div> <\/div><\/div><div id=\"c2301\" class=\"frame frame-default frame-type-gridelements_pi1 frame-layout-0\"><h2 class=\"\"> Pitching du R\u00e9el 2011 \u2013 individual meetings only <\/h2><\/div> <div class=\"row\"><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2300\" class=\"font-size-sm\"><p><strong>Atomskata Mravka<\/strong><br>by Atanas Georgiev<br>Croatia<br>Nukleus u., Sinisha Juricic <\/p><p><strong>Cow-boy Solitude<\/strong><br>by Fr\u00e9d\u00e9ric Laffont<br>France<br>Les Films d\u2019ici, Serge Lalou <\/p><p><strong>Gratis?<\/strong><br>by Isaac Racine &#038; Pedro Ballesteros<br>Spain \/ Germany<br>Polar Star Films \/ ma.ja.de. filmproduktion, Eva Rink <\/p><p><strong>L&#8217;Oiseau sans pattes<\/strong><br>by Val\u00e9rianne Poidevin<br>Switzerland<br>Box Productions, Elena Tatti &#038; Thierry Spicher<\/p><\/div> <\/div><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2299\" class=\"font-size-sm\"><p><strong>Nashi &#8211; The Movement<\/strong><br>by Lise Birk Pedersen<br>Denmark<br>Bastard Film A\/S, Helle Faber <\/p><p><strong>No Wedding Village<\/strong><br>by Erika Hn\u00edkov\u00e1<br>Czech Republic<br>endorfilm s.r.o., Jiri Konecny <\/p><p><strong>The Future&#8217;s Past, Creating Cambodia<br><\/strong>by Susanne Brandst\u00e4tter<br>Austria<br>Amour Fou Filmproduktion GmbH, Alexander Dumreicher-Ivanceanu <\/p><p><strong>Tout ce que la Terre Permet<\/strong><br>by Jawad Rhalib<br>France<br>Play Film, Nathalie Valentin<\/p><\/div> <\/div><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2303\" class=\"font-size-sm\"><p><strong>Ute P\u00e5 Landet<\/strong><br>by Anders Jedenfors<br>Sweden<br>ACNE Film, Kalle Wettre <\/p><p><strong>White Blood<\/strong><br>by Regine Dura<br>Germany<br>Lichtblick Film, Carl-Ludwig Rettinger <\/p><p><strong>Wireless World<\/strong><br>by Sonja Linden<br>France<br>Les Films du Pr\u00e9sent, Patrice Nezan<\/p><\/div> <\/div><\/div> <div id=\"c2304\" class=\"frame frame-default frame-type-div frame-layout-0\"><\/div> <div> <div id=\"c2307\" class=\"frame frame-default frame-type-gridelements_pi1 frame-layout-0\"><h2 class=\"\"> Docs in Progress 2011 <\/h2><\/div> <div class=\"row\"><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2306\" class=\"font-size-sm\"><p><strong>Between Worlds<\/strong><br>by Manuel von Sturler <br>Switzerland<br>Louise Productions, Heinz Dill <\/p><p><strong>Dragan Wende &#8211; West Berlin<\/strong><br>by Lena von M\u00fcller &#038; Dragan von Petrovic<br>Germany<br>m\u00fcller.film., Lena von M\u00fcller <\/p><p><strong>Hag Fag<\/strong><br>by Ester Martin Bergsmark<br>Denmark<br>Upfront Films, Anna-Maria Kantarius <\/p><p><strong>Jasmine<\/strong><br>by Alberto Ughetto<br>France<br>Les Films du Tambour de Soie, Alexandre Cornu<\/p><\/div> <\/div><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2305\" class=\"font-size-sm\"><p><strong>The Bookseller of Belfast (and other stories)<br><\/strong>by Alessandra Celesia <br>France \/ United Kingdom<br>Zeugma Films, Michel David<br><br><strong>The End of the World Begins with the One Lie<br><\/strong>by Lech Kowalski<br>France<br>Revolt cinema, Odile Allard<br><br><strong>The Last Station<br><\/strong>by Cristian Soto <br>Colombia <br>Globo Films, Catalina Vergara<br><br><strong>Vol Sp\u00e9cial<br><\/strong>by Fernand Melgar <br>Switzerland<br>Climage, Fernand Melgar<\/p><\/div> <\/div><div class=\"col-6 col-6 col-md-4\"><\/div><\/div><\/div> <div id=\"c2308\" class=\"frame frame-default frame-type-div frame-layout-0\"><\/div> <div> <div id=\"c2314\" class=\"frame frame-default frame-type-gridelements_pi1 frame-layout-0\"><h2 class=\"\"> Prix RTS: Perspectives d&#8217;un Doc 2011 <\/h2><\/div> <div class=\"row\"><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2313\" class=\"font-size-sm\"><p><strong>Dirty Gold War<\/strong><br>de Daniel Schweizer<br>Rita Productions <\/p><p><strong>Helvetic&#8230;US<\/strong><br>de D\u00e9borah Sohlbank &#038; Aline Urfer<br>Idip Films <\/p><p><strong>Mark Pieth, un suisse Incorruptible<\/strong><br>by B\u00e9atrice &#038; Nasser Bakhti<br>Troubadour Films <\/p><p><strong>Mosa\u00efque<\/strong><br>de Florey Fred<br>Bordu Films Pause caf\u00e9<\/p><\/div> <\/div><div class=\"col-6 col-6 col-md-4\"> <div id=\"c2312\" class=\"font-size-sm\"><p><strong>Profession sages femmes<\/strong><br>de B\u00e9atrice Mohr<br>Art\u00e9mis Films Production <\/p><p><strong>Reynold Thiel, missions secr\u00e8tes d\u2019un communiste suisse<\/strong><br>de Danielle Jaeggi<br>Louise Productions <\/p><p><strong>Suisse et l\u00e9gionnaire<\/strong><br>de K\u00fcnzi Daniel<br>Soci\u00e9t\u00e9 Productions Maison<\/p><\/div> <\/div><div class=\"col-6 col-6 col-md-4\"><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Pitching du R\u00e9el 2011 \u2013 pitched projects A Film for Paul Celanby Gideon KoppelUnited KingdomVan Film Ltd, Gideon Koppel Andermattby<\/p>\n","protected":false},"featured_media":0,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"class_list":["post-27177","industry","type-industry","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/industry\/27177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/industry"}],"about":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/types\/industry"}],"wp:attachment":[{"href":"https:\/\/www.visionsdureel.ch\/en\/wp-json\/wp\/v2\/media?parent=27177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}